It’s not for reading, it’s for making, 2009. Collection of legs by Hans-Peter Feldmann

Dear FormContent,

How are you?

We have been separated for quite some time but I loved you very much in your infancy and cared for you when you had a name, a home in London (moving from an arch on Brick Road to a studio complex in crane infested Dalston that was gearing up for the Olympics) but you were still growing up and deciding what you wanted to become. It was a playful phase, full of experiments and people and it entailed quite a bit of travelling too.




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Recovery Of Perception



Bianca Hester, Please leave these windows open overnight … 2010, ACCA, Melbourne, Australia.


Australia cannot pretend to be Europe, the differences are vast and deeply significant to us, and these differences are what we must realise so that we might develop a consciousness of our situation-identity.1

Having recently spent the month of July in Australia — mostly in Melbourne as part of Gertrude Contemporary’s Visiting Curators Program — this is a partial account of that experience now that I am back in London. It has been difficult to try and process the information and the wealth of encounters I had; this article wishes to present a textual and visual commentary on selected subjects discussed while in Australia.

Caterina Riva, 2010

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