An interview with Lawrence Lek

 

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Lawrence Lek, AIDOL, 2019 [still] © Lawrence Lek, courtesy Sadie Coles HQ, London.

Lek’s work usually takes the form of film, where he applies his skills at CGI (computer generated imagery) animation and at composing soundtracks. With animated, filmic works like Sinofuturism (1839-2046 AD), Geomancer, AIDOL and 2065, Lek conjures up future scenarios where the virtual is changing the definition of all human categories, including art. The artist ponders through different viewpoints — both human and artificial — and adopts English, Mandarin and Cantonese to describe how the world might be like a few decades from now.

Continue reading my interview with Lawrence Lek on so-far.online

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