Lek’s work usually takes the form of film, where he applies his skills at CGI (computer generated imagery) animation and at composing soundtracks. With animated, filmic works like Sinofuturism (1839-2046 AD), Geomancer, AIDOL and 2065, Lek conjures up future scenarios where the virtual is changing the definition of all human categories, including art. The artist ponders through different viewpoints — both human and artificial — and adopts English, Mandarin and Cantonese to describe how the world might be like a few decades from now.

Continue reading my interview with Lawrence Lek on so-far.online